Workshop Final

Workshop, was it worth it?

Now a week after the last day of my workshop, I think about the experience. Was it worth it?

Dollar wise, probably not. I doubt very much that I will sell that much more artwork to make up for the cost. Not just of the workshop, but of travel expenses, lodging, meal, etc.

But was it worth it?

I gained a lot of knowledge I would not have gotten any other way. Yes, I could have simply read Jane Jones's book. But would I have gotten it? I don't think so. While Jane does write a good book, and I did eventually buy it, (loads of technical info there) I don't think if I had simply gotten the book and tried it on my own I would have gotten the essence of Jane's methods.

See Jane's Book Here

You get something special communicating face to face that you don't get by reading in isolation. It is the give and take of vocal communication that stimulates learning. And there is the ability to ask questions that you have at a workshop along with demonstrations that go beyond pictures in a book. You also get to know them. You cannot over emphasis the importance of getting to know another artist.

One of the really great learning tools you get at a workshop is other people. They might ask the questions you have, but they ask in another way. Of course, they do think of things you haven’t. This give and take between human beings is what makes workshops so rewarding. You find you are not the only one interested in something, or who have made that mistake! You can learn the error of logic. While something might seem like a good idea, it just doesn’t work. These stories are often funny, but oh they do tell it like it is!

There is comradely at workshops. Making friends of fellow artists who either share you views or give you another way of looking at something.

Instructor

A good instructor is vital to the success of a good workshop. If you are going to learn something, make progress and accomplish anything at a workshop you need an instructor who has something to say, and knows how to say it. You need an instructor who knows how to set realistic goals for the allotted time frame. Someone who is interesting in more than selling their book and or supplies. But of equal importance are other participants. 

“ By iron, iron itself is sharpened. So one man sharpens the face of another”.~ Proverbs 27:17

Don’t worry, I am not going to get preachy, but it is true. We sharpen one another when we work together, show each other how we get along and try each other’s techniques. Even if we don’t adopt them, we sharpen our own skill and more importantly, sharpen our minds. Artists need one another. We need this exchange of encouragement. Yes we get accolades from non-artist, but it does not mean the same as when we get praise or even criticism from other artists. Just by being there and being an active participant, we each enriched the experience for all who came.

So, was it worth it?

Was the workshop that I traveled to so far for, spent so much time and money at worth it? To me,

Yes.

Day Five: Last day of the Workshop

Friday

And more rain. My paintings, of course, are still wet. Turned the lamps on as soon as I got in, but I don’t know if will get anything done.

This is the last day of the workshop. We will review what we have learned, show each other our paintings, and wind things up. My first painting is still to wet to work on, but I can bring my other two up a stage.

Today we are learning how to put those final touches that raise the level of a painting from good to great. Today we learn to blush.


Just a little something about my fellow workshop attendees. We came from all across the country, Florida to California, a mixed bag of ladies. Young, old and in between. We had one thing in common, a love of art and the desire to do it better. Now we have another bond, this wonderful workshop that pushed all of us, made us grow (a painful process) but also taughts us we can do it.

Fourth Day of Cheap Joe's Glazing Workshop

I am learning so much stuff my head might explode.

Again the day is overcast, and rain is in the forecast, but just about all of us came in as early as we could. Today is the first day any of us feel that we are not just following directions, but getting it.

I look at my 3 paintings and see many, many problems. But more importantly, I can see where I went wrong. Not just that they are wrong, but where they went wrong.

I am still not giving the underpainting enough emphasis. I have always done basic underpainting. At least to tone the canvas, and frequently block in the major features of a painting, but for glazing to really work, the underpainting is very important.

Tomorrow is the last day, and itis only half a day, so we all knew that we needed to get as much out of today as we could. When I left today, I had 3 wet paintings, and only one lamp to leave them under!

It should be ok. The glazing layers are drying faster than the underpaintings did. I got several layers of glazing on today. I have to work on the backgrounds of two of them, but that I can do at home. It is the glazing process that is important that I learn.

Workshop Day Three

Today dawned bright and early. Well, it dawned, but not bright. I woke up to rain, lots and lots of rain! Good thing I had brought an umbrella, unfortunately, I left it in the car. Oh well, I won’t melt.

It has been one of those weeks, though. Sunday we all had trouble getting her with the dense fog, Monday was damp and overcast. Tuesday so far was the best day. At least there were occasionally patches of sunshine; small, put patches.

Today we watched paint dry. Only artists would do that! We are running into a problem with getting the paint to dry. Even with the lamps and using a drying agent, paintings are slow to dry. It is the humidity.

But we did get to at least start glazing, which is amazing! I have now realized that the key to this is using very small amounts of paint. At least 1/2 what you think you will need, but often much less. You need to almost drybrush the underpainting. And each glaze layer is equally light.



Workshops at Cheap Joe's



While we used white liberally in the underpaint, once you start glazing it is verboten!

This is what gives such Luminosity to the works of the great northern masters.

One thing I haven’t mentioned is how nice it is to take a workshop at Cheap Joes’s. They have a purpose built room. If anyone has ever taken a workshop in a non-art room, you can appreciate how nice it is to be in a real studio. Each person has a table with easel. There is good lighting, sinks, and an area for demonstrations.

The staff here also treats you nicely. Monday morning staff as on hand to welcome each person to the workshop, and HELP you carry your stuff in. boy, is that nice. Since it is a purpose built area, used only for workshops, you can leave your stuff overnight in the room. It is locked up at night and in the morning you can simply go to your table and start working. Also there is coffee.

Day Two of my Workshop at Cheap Joe’s

Well today did not go too badly. Although we had put our work under lamps to speed drying, with all the humidity, many were still tacking, including mine. I think I used a bit too much paint for the underpainting. The underpainting should be a thin layer. We used a drying agent, Japan drier simply because it is a workshop, and we need to speed things up. It is not necessary to do this ordinarily.

But we did make progress with a second painting, doing the underpainting. Hopefully, tomorrow we can start the actually glazing.



Boone Inn, Boone, NC



I have learned a lot about transparent paint today. My head is whirling with all the stuff Mrs. Jones is trying to stuff into it. It is a tight fit, however and I don’t know how much will actually stick.

Today Cheap Joe’s arranged a group dinner at a local restaurant, The Boone Inn, I went and had a great time getting to know some of the staff of Cheap Joe’s and fellow artists. We are an interesting bunch of people!

But I really have to rest up for tomorrow. This workshop stuff is a lot of work!

Workshop Day One

Monday Morning.

This morning the fog was gone, mostly, so bright and early I traveled down to Cheap Joe’s for the first day of my workshop. It was interesting to see who all came. There are 12 people in the workshop, all women! There was one man signed up, but never showed. Outnumbered?

Jane Jones is the woman who is leading it. She is a floral artist who specializes in realism and glazing techniques. I for one felt uncertain about this workshop. Even though this is something I have always wanted to learn more about, I am totally inexperienced with this, and unsure of myself.  Jane's Website

Jane runs a tight ship. She knows what she wants to teach, and have enough experience to know what to focus on and what shortcuts she needs to take to get things done in the short time we have.

The major problem we need to overcome is the slow drying time of oils. To deal with this we used a drying agent, and lamps to speed curing of the paint.

We did start by toning the work surface. Basically we took the white off (something I am used to) with a thin coating of burnt sienna on two small supports and payne’s gray. Then while those were drying up, we traced the basic layouts for 3 works.

One interesting thing, during the opening orientation, we had to read a copyright statement and sign an agreement not to use the images given out in this workshop to make money, or use the work for shows. It was simple, straightforward and she was right. Also, no photos, so no photos of the workshop itself.

There could be no misunderstanding; she explained it simply and completely.

There was minor confusion about the lamps we were to bring. They are to help cure the paintings, to speed things up, but most new lamps do not take the needed 100 watt bulbs. I ended up buying a trouble lamp at the hardware store. A few people have older lamps or did find some on the internet. So between us and the staff of Cheap Joe’s we came up with enough lamps to speed the setting up of all supports.

We actually started the underpainting of one of the works in the afternoon. We painted until 5:30. when we left, I think we all were tired!

Fogged In- Workshop 2011

Painting Workshop +1 Day

I am taking a workshop in Oil Painting at Cheap Joe's in Boone, NC. This is an anniversary present from my hubby. We had a rough year this year, and he thought I deserved it as well as needed it. I have been working hard and feel simply wore to the bone artistically. So I did not argue with him! Now Boone is a really pretty place. It is high in the mountain of western North Carolina. I have been here before and am looking forward to the workshop tomorrow. I was also looking forward to the drive through the mountains.

Sunday dawned bright and clear? Well, Sunday dawned, sort of. There was a definite ting of pink in the early sky, which should have warned me. I got up real early, intending to take my time heading south and enjoy the scenery. Stopped to top up the tank and get a coffee and hit the highway.

First 2 hours were mostly pleasant and mostly clear. Although the sky was overcast it was clear driving.





By the time I stopped for breakfast, it was getting misty. I planned to take the Blue Ridge Parkway instead of the express highway, but started to wonder if that it was going to be clear enough. The Blue Ridge Parkway runs north and south along the top ridge of the Allegany Mountains. It is one of the most unique National Parks, being a highway with some of the best views in the eastern US.



When I got to the turnoff for it, it seemed to brighten so I entered. Then I hit the fog. It seemed each time I came out of the woods and came up to a scenic overlook I drove into increasingly dense fog.  So much for beautiful views and great photography! There were times I drove well below the speed limit for the Parkway, which is 45 mph. I had my lights on and flashers going. Coming up upon bikers was actually a little scary. Fortunately most of the bikers had lights and flashers on their bikes. I really did miss the spectacular views to be seen there. Hopefully, by Friday the sky will have cleared and I can take advantage of the views on the way home.

I stopped at the country store, got some hot coffee, (it had also gotten very cold) and drove straight but slowly to the turn off for Boone and the hotel.

Well, I checked in early. The people at the Best Western, Blue Ridge were very welcoming. I have a lovely room. As the afternoon progress, the weather got worse. Made me glad I had gotten in early. By 3:00 we were completely fogged in. the grocery tore  across the street has a great deli, and I got a salad for dinner. I think I will go and use the pool and get an early night.



I will be keeping in touch. the hotel has a great work space and good internet connections, so I will be able to log on after each day.