Monday, April 7, 2014

My Dad’s Holly Hocks.


Finished. My Dad's Holly Hocks.

 

While working on this I broke out a tube of paint that was given to me. One I would never have bought.

 

it is called Indian Red, and it is the color of dirt, or rust. A very earthy pigment. And strong!!!!

 

It gets everywhere, like Prussian blue.

 

While I was not thrilled with it, it does tone things very well, Adding a tiny bit ( and I mean tiny, it is very strong!) it toned down the tube green in the stem to a more natural color.

 

I also added it to shade the strong red pigments used to create the pinks for shading and shaping. Like it much better than any other pigment.

 

While I think this is successful, I am not sure I am all together happy with the rather strong background blue. It was an experiment, but I think for myself, I would prefer a more natural, skyish blue.

 

So often we think of backgrounds as an after thought, so I was trying to see how to ramp it up. Now, I did not want that smooth, glass finish you sometimes see, but was trying for something more bold. I don’t think bold is me, thought. Although this painting does work, the really strong background demanded a stronger hand with what to me are rather delicate flowers. But it did not work with the intense background of the cobalt blue background. Actually, I would like them better in a natural setting.

 

I might do this one over, with a more natural sky and more delicate shading for the blooms. I will use the Indian Red, though.

 

Tuesday, April 1, 2014

Yes, I do Paint Once in a While!

It seems that all my recent posts have been about drawings, mostly with colored pencil, but basically, drawings.

I personally, don't see anything wrong with this. For me, drawing is a perfectly acceptable art form, and as valid for a finished work of art as any other medium. Not just means to an end.

Because so many art works beginning with a drawing, sometimes it seems like it is only a preliminary medium.

And I have noticed that some other artists tend to look down on drawing the same way. It is a way of working through a problem in composition. Of writing down mental notes.

Thumbnail sketches on napkins, pencil lines on watercolor paper, just notes, right? No. Art is art, whatever the medium. Drawings are as valid as any other art form.

So for all the pencil artists out there, keep your lead sharp and draw on.

But I do paint once in a while!

Monday, March 17, 2014

Drawing with Colored pencil-mixed media


A Tale Of Two Paintings


 

Started a third colored pencil painting to complement the magnolia paintings. Some format for a different flower. While the magnolias are huge, the third was a much small bloom, but still dramatic. I wanted to do a bee balm, a flower many people react to more as a weed than as a valuable plant. However, it was to be on the same dramatic scale as the magnolias.


sketch in WC Pencil drawing 1
But unlike the magnolia flowers I started with white board not dark green. I thought I would work more with the watercolor back ground than with the other two.

I started with a lot of enthusiasm, but as I went on, I began to think I had made a mistake.

Especially when I got to the watercolor background I was not very happy with it.

 I worked and worked and worked, but still felt dissatisfied.

So I started over on the green board with a white colored pencil drawing. This is much more like the first magnolia drawing and gave the more dramatic effect, I thought, that I wanted. But I still worked on both drawings, and as it went along, the first one developed independently from the first two.


Second start.
While it does not necessarily relate to the magnolia drawings, it is beginning to stand on its own. Each piece has its own merits. Neither is perfect. Art does not need to be perfect.

That is not the point. But does it convey what you are going for?

Each of these starts with the same premise, and both break the "don't center it" rule.



This is intentional. It does make for a little discomfort in viewing which I think creates the "look at me" look. These drawings focus on bee balm just after peak. When the flower is starting to fall apart, and the seeds are just starting to form at the base of the blooms' tubes. While they appear very detailed, they are not, with only suggestions of the future seeds. The heads are darkening and the leaves are beginning to loose the green color, revealing the actual pigmentation of the plant. Now the second, with the darker background was more what I envisioned, but after both were done and matted and framed. I think the 1st one, mistakes and all is the better picture.  What do you think?

Green background, finished



1st drawing with washed in background.

 
 

Monday, March 10, 2014

Second Magnolia Drawn and Polished

Finally finished my last magnolia drawing.

I thought I had finished it last week, but the more I looked at it, the more I was dissatisfied with it.

It was not bad, just not finished the way I thought it should.

Still did not have that bright contrast between the white blossom and the dark green leaves.

Even the "final" polish did not give it the strong look I wanted, so I sat and stared at it.


Evaluating your own work is one of the hardest things you will ever do.

Looking critically at it, I saw the shadows just were not strong enough. Now, this is a white flower, and my left brain kept telling me, "its white, what do you want?" But it was not 100%.

I did work on intensifying the white, but it just did not come together. So I decided to attack the shadow.

Using 70% cool gray on the bright sunny white was one of the hardest things I ever did. But it was necessary. Without the darker shadows, the white just did not look white enough.

So something to remember, White is never white! It is the most reflective color and will always pick up its surrounding color and will totally change with contour and shadows.

Now, with an additional 5 layers of blended color, the work more closely resembles what I saw in my head.

Monday, March 3, 2014

Working With Powdered Graphite

New purchase:  a jar of    powdered graphite.


For me a new idea.




Now what to do with it?




Start with a simple sketch, but soon that jar of graphite powder was calling me. A small round watercolor brush and a large rough boor flat and I was starting to experiment.




Starting with a face with powdered graphite.
 

I did use more than powered graphite, I used a 6B pencil to find the placement of the eyes and chin, and lightly sketched with a 2H pencil.



I have a stump of a 4B woodless pencil. I find this useful when I am thinking a lot and sketching. As well as my supply of graphite sticks. These are squares of graphite. These when used on their side give uneven marks, which I used for the foliage. When you use these, you cannot use them like conventional pencils, you need to change the way you hold them and this often changes the way you approach your work. This can lead to both a looser composition and surprisingly greater control.




Finished Sketch
A fat stump was used to pull some of the graphite around where I wanted it. This is very much a combination of drawing and painting.

While nothing I would considered "done" it is not bad for a first try. I can see the possibilities in this looser form of graphite.

Monday, February 24, 2014

Colored Pencil, Blending, Burnishing and Polishing

Finishing up a colored pencil painting is more than simply putting down the pencils.

Tools needed to finish,
Sandpaper pad,
 erasing shield,
 Chamois,
 burnishing pencil,
 stump,
 blending pencil,
 pencil eraser,
 paper towels,

Using a paper blender

smoothing the color out

polished picture

Detail of flower

Monday, February 17, 2014

Magnolia Drawing, Working the Background

Finished background
While the background is not the focus of the drawing, it still requires strong attention.

We want the background to compliment and support the focus, not leave it hanging.

There are many ways to approach this.

You and simply have a mottled background, like the fuzzy blobs of color you get in a photograph, or you can put in enough details to suggest focus. What you do is up to you, but consider the response you want.

Many times I have heard artists and students say "its that way in the photo".

So?

Are you the photographer?

Are you simply copying the photo or creating a work of art?

Because of the shallow depth of field in the photograph (we will not go into that here,) most likely there is no detail available for the background.


If you have taken the photos yourself, you might start taking more than one photo, one focused on the object, one on the foreground and one on the background. If you have not done this, it is still up to you to supply the background.

Hint: it does not have to match the photo!

With the second magnolia I decided to take a different approach to the background.

watering the background
With the first, I simply put in some shading to suggest leaves. Highlighted a few and left the rest to the viewer to supply. In fact, this happens. A couple  of good leaves and a few dark shadows and people "see" the background leaves.

This time I wanted to suggest the leaves, but also to trigger a more painterly feel to the colored pencil painting. To this end, I used watercolor pencils, simply putting in blocks of color and using water and a brush to create the background.

As you can see, there really isn't much to the background. A few leaves, a suggestion of shape and highlights. Contrast does the rest.