Working on very toothy papers, I do not tend to draw free hand directly on my support. I will select materials, either an idea or a photograph (I only work from my own photos, so this is my work completely). Once I know what subject I want, I will play with it on sketching paper, doing thumbnails with simple designs. ea. I will block in basic shapes, shading etc.
Note on working with thumbnails. work within the general shape and size aspect of the work you are thinking of doing. Otherwise, the piece might not be as pleasing as you anticipate.
Once a general idea is done, I will do the more realistic sketch on tracing paper. it is easier to draw and erase on. This is especially true if you decide to draw a complicated image, such as the close up of a flower.
I will grid this work. Sometimes, as in the white rose I have started, I will print out on standard copy paper the photograph I want to use as the subject. This is reference. I will actually grid this, and use it to draw the design onto the tracing paper.

Another advantage of drawing on the tracing paper, and then transferring it to the good support is that you always have your starting drawing for reference if you get lost. And with a very complicated, detailed drawing this happens more than you might think. I
I do number my grid, ea. lower left corner is 0,0 and I mark each row and column along the way.
If I have a color copy, I also mark this with the exact same grid!
So now I have several drawing layed out and ready to go.
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