Again the day is overcast, and rain is in the forecast, but just about all of us came in as early as we could. Today is the first day any of us feel that we are not just following directions, but getting it.
I look at my 3 paintings and see many, many problems. But more importantly, I can see where I went wrong. Not just that they are wrong, but where they went wrong.
I am still not giving the underpainting enough emphasis. I have always done basic underpainting. At least to tone the canvas, and frequently block in the major features of a painting, but for glazing to really work, the underpainting is very important.
Tomorrow is the last day, and itis only half a day, so we all knew that we needed to get as much out of today as we could. When I left today, I had 3 wet paintings, and only one lamp to leave them under!
It should be ok. The glazing layers are drying faster than the underpaintings did. I got several layers of glazing on today. I have to work on the backgrounds of two of them, but that I can do at home. It is the glazing process that is important that I learn.
Fine information, many thanks to the author. It is puzzling to me now, but in general, the usefulness and significance is overwhelming.
ReplyDeleteThanks for the comment. Workshops for me help me with new techniques or understanding old one. Most artists are visual learners, so demonstrations are important to us.
ReplyDeleteJane's work is so beautiful it really helps to understand just how she does it.